Filimoni

 

As part of the MODISA Series capturing legal and illegal immigrants from Lesotho in the South Africa working as herders in the rural Eastern Cape, A week in Pirie captures a Lesotho man who is new to the village of Pirie Mission, I was an unwelcome  guest to one the Malusi- Filimoni, an introduction of who I am. I watched as he went about his day, laundry, music, cleaning his shack. I sat in silence, observing, finding little out of the norm to the way of life of the people within the village. An average man, taking care of what’s his, what’s lent to him. I parted ways with Filimoni in the village called “Ndileka” went upwards towards a second man, Ntate Mpho. Mpho had went to town to get a bank card done and fix issues pertaining to his work permit. I introduced myself, “ndingu Mbasa” “ndingu Mpho” “what does your name mean Mbasa” “The same as yours” I said swiftly- in hopes to minimise the language barriers. 

He told me he was an apple picker in a plaas (farm)  in Cape Town- “thats where I learnt isiXhosa” he boasted. He asked me where I had been before. I told him I met Ntate Filimoni. He locked eyes with my cousin. who is Ntate Filimoni ? I described the man with the sharp soul and a gaze filled with doubt. They laughed. it was then when I realized Filimoni April was in fact not Filimoni April. He revealed his identity to me. I joined the laugh. I understood his doubt. A strange woman feeling entitled to his story, poking around where they shouldn’t. I, too, would become Filimoni. 

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Team
Alexandra Buxbaum
Phoenix
Young children participate in the Mutton Busting competition during the 76th Annual National Livestock Show took place at the Arizona State Fairgrounds in Phoenix, Arizona, USA.Since its debut in 1948, the Arizona National has become a premier event for farmers and breeders to showcase the superior…
Sasha Mingia
Paris
A series of photographs taken by the artist in Paris is paired with personal diary entries written on the same day as the images. The project explores inner adaptation, loneliness, vulnerability, and self-observation in a new city, where the artist strives to preserve her identity.
Jess Leaf Lensmire
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Aljohara Jeje
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Tais-toi et sois belle (French for ‘shut up and be pretty’) was the adage that shaped my upbringing. The expectation was clear: to become a woman, one must be pleasing and appeasing. My mother, adhering to this doctrine, taught me that I must always be prepared to smile so that others would find me…